Content from original post
London design trade fair 100% Design will rebrand as Design London in time for London Design Festival 2020, and move from Olympia in west London to the new Design District in Greenwich.
For a few weeks now, the It’s Nice That studio – and we’re sure the studios of others involved in the worlds of publishing, design, fashion, or anything creative really – has been abuzz with the news that _The Face_, the iconic British style magazine that redefined youth culture, is coming back. Today, the creative team behind the relaunch has been announced.
From 2013-2018, Erik Brandt exhibited the work of well-known and up and coming designers on a piece of cedar board attached, by himself, to the side of his garage in Minneapolis, Minnesota. The self-initiated exhibition space, titled “_Ficciones Typografika_”:https://www.itsnicethat.com/articles/ficciones-typografika-behind-the-scenes, began as an invite-only project before being opened to submissions and rapidly grew into a “who’s who” of experimental typographic practice within the global design community.
Even the most ardent and hardened of southerners has to admit that Manchester is one of the UK’s great cities. Blessed with an amazing cathedral, an abundance of brilliant pubs and an immense cultural history, we’re always looking for an excuse to hop on the Pendolino from Euston on a Friday evening. Now we have another one.
When most of us think of family photography, we think of images imbued with nostalgic memories of warm childhood houses and an age of innocence. Photographer Charles-Henry Bédué uses this concept as a starting point for his ongoing series _The House of Happiness_, but instead of capturing the happy connotations of domestic life, he photographs the darker, somewhat disturbing corners of the family home.
The Amstel can design represents a crucial piece of a comprehensive rebrand project. The packaging brings the new visual identity design directly to the consumer’s hands. The transformation of the Amstel Rebrand project embraces modernity while preserving the rich heritage of the brand that has been built since 1870, the year of the brand’s creation. From logo and package redesign to standards manual design, the new brand identity expresses Amstel’s timelessness and the legacy of the friendship of the first brand owners: Charles de Pesters and Johannes van Kooy.
Barcelona based retailer, WOUF, recently hired Folch for an extensive rebrand to tap into a more sophisticated audience. Leaving behind its playful identity and whimsical images, Folch aimed to reposition the retailer as a contemporary lifestyle brand by developing an authentic narrative and sophisticated new look.
Design studio North has unveiled its full visual identity for the Science Museum Group, after the new logo was revealed last week. The rebrand incorporates all the museums in the group, aiming to give them a visual cohesion and convey a “shared vision”.
The campaign, which has launched in the US and will be rolling out next in the UK and Australia, aims to position Dropbox not just as a place to store files but a workspace that brings teams and ideas together.