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For its first London project, hospitality company Artfarm has given new life to the 18th-century Audley Public House which opens today in Mayfair.
Photographer Cristina Coral has an eye for subtle alterations that transform seemingly ordinary scenes into surreal images brimming with illusion. Often centered on a solitary woman, the conceptual photographs rely on texture, pattern, and the figures’ contorted poses. A limp hand protrudes from a bush, strawberry locks drape over a brocade couch, and a teacup precariously balances on a pair of feet.
Coral, who is based in Italy but frequently travels to Germany and Slovenia, currently is working on a project based on memory and what’s forgotten. The mixed-media works, some of which she’s shared on Instagram, fuse photographs and textiles in a way that allows portions of the original image to peek through.
Robert Granjon lived in the 1500s. The new style of typeface he invented in 1557, modeled on contemporary Gothic cursive handwriting, and later came to be know as Civilité, after the Civilité of 'etiquette' books that the typeface often appeared in. Although Granjon really anted his Civilité to become the national typeface of France. However, it never really caught on, and could compete with Roman and Italic fonts.
This week the Paris Musées added 100,000 digital copies of its artworks to the public domain, making them free and unrestricted for the public to download and use. From Claude Monet's “Setting Sun on the Seine at Lavacourt” to Paul Cézanne's “Portrait of Ambroise Vollard,” the collection contains wo