The Guardian

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From the monarch to the naked performance artist who was living with Aids, Freud paints life lived in the face of death, with an unsentimental eye for human tendernesss

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thephoblographer

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Photographer Jack Simpson is a former paramedic and works to get street photographs that are influenced by his wedding work.

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Wallpaper*

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We speak to British artist Tracey Emin in her hometown of Margate, where she has created a new painting to raise funds for TKE Studios, a pioneering complex serving the next generation of radical creatives. ‘I don’t want to die being an artist that mad…

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The Guardian

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Forget Dalí and Magritte. This sprawling survey captures the extraordinary scope of a global artistic explosion, from fantastical feminists to black power activists to Vodou painter priests

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thetimes

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The artist works 365 days a year trying to create that one ‘impossible, perfect’ image. If he ever achieved it, he would stop, he tells Rachel Campbell-Johnston in a rare interview

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faroutmagazine

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Including filmmakers like Jean-Luc Godard, Federico Fellini and Terry Gilliam, these are 10 essential Maximalist films that you need to watch.

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The Guardian

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Creative giants from Hirst to Hambling have produced masterpieces a few centimetres across for a scaled-down show

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The Guardian

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While enjoying an idyllic lockdown in France, the 83-year-old artist has created perhaps his most important exhibition ever – offering hope to an injured world

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This is Colossal

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Last year, researchers released records from nearly two years of analysis of Johannes Vermeer’s most-recognized artwork, “Girl With a Pearl Earring.” While their findings didn’t include the subject’s highly sought-after identity, they did reveal that the gray backdrop is actually a dark green curtain and that the figure has eyelashes only visible with magnification. Thanks to Emilien Leonhardt and Vincent Sabatier, of Hirox Europe, we all can study the intricacies of Vermeer’s elusive work and peer directly into the paint cracks with an interactive 10-billion pixel panorama.

The duo began the undertaking to determine the surface condition of the iconic piece after multiple restorations, measure the space between the fractured pigments, and elucidate the artist’s technique. Using a custom microscope, Leonhardt and Sabatier took 9,100 photographs of the painting that were then woven together into the massive panorama. It reveals particulars down to 4.4-microns per pixel.

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The Guardian

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A new biography of the painter Isabel Rawsthorne highlights how talented women have often missed out on the recognition they deserved

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The Guardian

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The artists have responded to the pandemic with comic, haunting works showing themselves being buffeted around a chaotic London. They talk about lines of coffins, illegal raves and ‘shameful’ statue-toppling.

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The Guardian

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With public art collections closed we are bringing the art to you, exploring highlights and hidden gems from across the country in partnership with Art UK. Today’s pick: Guildford’s De Morgan Collection’s Lux in Tenebris.

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This is Colossal

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Swollen, glistening, and saturated with illusion, the ubiquitous water drop absorbed Kim Tschang-Yeul throughout his career. The Korean artist, who died earlier this year, was faithful to the seemingly mundane subject matter, choosing to depict the dewy orbs repeatedly after an initial painting in 1972 following his relocation to France. Inspired originally by a water-soaked canvas in his studio, Kim nurtured the viscous element in his hyperrealistic paintings created across nearly five decades. In an essay about the artist’s unending commitment, Dr. Cleo Roberts writes:

It is a tendency that seems to unite many of Korea’s avant-garde who took from Art Informel in the early ‘60s, including Ha Chong-Hyun and Park Seo-Bo. In this generation of artists, there is a ritualistic devotion to a chosen form, process, and, at times, colour. One could venture that, in the context of living in a volatile country ravaged by war, the security of immersion in a singular mode was an empowering choice, and may have been a necessary psychological counterpoint.

Whether depicting a singular pendant-shaped drop or canvas strewn with perfectly round bulbs, each of the oil-based works exhibits a deft approach to shadow and texture. The bloated forms appear to bead on the surface and are imbued with a sense of impermanence: if disturbed by even a small movement, they look as if they could burst or run down the surface.

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Design Milk

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Daina Mattis has an exhibition at High Noon Gallery in New York titled Family Style with fuzzy flocked paintings, surreal hybrid sculpture and cookies.

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The Guardian

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The artists stood down as academicians after the gallery said it would not be hosting the show they had planned

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Wallpaper*

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British-Indian sculptor Anish Kapoor reveals unseen facets of his practice in a confessional new documentary, Under the Skin 

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