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‘LUX’, an LG-sponsored new media art exhibition at 180 The Strand, brings together 12 artists and collectives at the cutting edge of audio-visual technology
A column of metallic type scales the former Zenger Transformer Substation in Prague, melding the historic venue with the visual identity of the new art institution housed in its space. Conceived by the Czech Republic-based Studio Najbrt, the uniquely positioned logo wraps vertically around the corn
Approach the delicate glass artworks by Rui Sasaki, and witness the unpredictable patterns of the weather through a subtle glow of blue light. The Japanese artist’s experiential body of work translates varying forecasts into speckled sculptures that radiate once encountered, an intimate process that Sasaki describes as a way to “visualize subtle sunshine, record today’s weather, and transfer it from here to there/from there to here.”
Next week, Magnum Photos (previously) is pulling more than 90 photographs from its archive for a print sale that pays tribute to chance moments and serendipity. The Unexpected launches March 22 with a range of compositions documenting more than seven decades worth of “under-explored issues, reportin
Scan the World might be one of the only institutions where visitors are encouraged to handle the most-valued sculptures and artifacts from art history. The open-source museum hosts an impressive archive of 18,000 digital scans—the eclectic collection spans artworks like the “Bust of Nefertiti,” the “Fourth Gate of Vaubam Fortress,” Rodin’s “The Thinker,” and Michelangelo’s “David” in addition to other items like chimpanzee skulls—that are available for download and 3D printing in a matter of hours.
Searchable by collection, artist, and location, Scan the World recently teamed up with Google Arts and Culture, which partners with more than 2,000 institutions, to add thousands of additional pieces to the platform. Each page shares information about an artifact’s history and location, in addition to technical details like dimensions, complexity, and time to print—scroll down on to view images of finished pieces uploaded by the community, too. While much of the collection focuses on Western art, it’s currently bolstering two sections that explore works from India and China.
Photographer Cristina Coral has an eye for subtle alterations that transform seemingly ordinary scenes into surreal images brimming with illusion. Often centered on a solitary woman, the conceptual photographs rely on texture, pattern, and the figures’ contorted poses. A limp hand protrudes from a bush, strawberry locks drape over a brocade couch, and a teacup precariously balances on a pair of feet.
Coral, who is based in Italy but frequently travels to Germany and Slovenia, currently is working on a project based on memory and what’s forgotten. The mixed-media works, some of which she’s shared on Instagram, fuse photographs and textiles in a way that allows portions of the original image to peek through.
The artists have responded to the pandemic with comic, haunting works showing themselves being buffeted around a chaotic London. They talk about lines of coffins, illegal raves and ‘shameful’ statue-toppling.
The American 19th century entrepreneur Thomas Edison is perhaps most famous for his development of the incandescent light bulb, but few people likely know that part of his inspiration came from an obscure fellow inventor in Connecticut named William Wallace. Edison visited Wallace’s workshop on September 8, 1878, to check out the latter’s prototype “arc light” system. Edison was impressed, but he thought he could improve on the system, which used a steam-powered dynamo to produce an incredibly bright light—much too bright for household use, more akin to outdoor floodlights. The result was the gentle glow of the incandescent bulb.
A new installation by artist Chila Kumari Singh Burman masks the stately columns and ornate flourishes of Tate Britain’s facade, enveloping the London museum in a blanket of neon. In “Remembering a Brave New World,” technicolor symbols, pop culture references, and religious iconography transform the