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An artistic extension of Calico Wallpaper’s ombré effect Aurora collection, inspired by memories of horizons seen around the world by founders Rachel and Nick Cope, the Brooklyn brand’s…
In a new short series of posts, we highlight some of the useful tools and techniques for developers and designers. This time it’s all about CSS Generators: from CSS shadows to easing gradients to CSS overlays to CSS doodles.
She was born in Japan in 1949. After graduating high school, she moved to Tokyo, where she worked as a bar hostess. She appeared in a few “pink films”—an arty subgenre of sexploitation cinema—directed by Kōji Wakamatsu, among others, and posed for the erotic art photographer Nobuyoshi Araki before devoting herself to writing full time. In 1973, she married the free jazz saxophonist Kaoru Abe, with whom she had a daughter; Abe died of a drug overdose in 1978, one year after their divorce. She was extremely productive in the years after his death, writing short stories, novels, and essays. She took her own life in 1986 at the age of 36.
This is, by and large, the sum total of biographical information readily available to English-language readers on the subject of Izumi Suzuki, a pioneering writer of science fiction whose first collection of stories to appear in English, Terminal Boredom, is available now from Verso. Perhaps unsurprisingly, there is much more information available in English about the male artists with whom she lived and worked; her own life tends to be talked about in relation to theirs, when it is talked about at all. With the publication of Terminal Boredom, English-language readers will be able to discover Suzuki in her own right. So who was she, anyway, and what of the work she left behind?
Multi-hyphenate writer Maria Dahvana Headley’s latest work is a translation of the 1,000+ year old monster classic Beowulf. Long a fan of Grendel and his mother, she wrote The Mere Wife in 2018, a precursor of sorts to her new translation of the original story, which uses modern day slang (including the word “bro”) to make the work more accessible.
Literary magazine Grand Journal is celebrating this work with an epic 25 day reading, featuring a who’s who of literary loving artists, each of whom will share part of the story in Zoom-captured readings. On the last day, 25 December, all of the videos will be presented in a single stream.
The dream of a machine-readable Internet is as old as the Internet itself, but only in recent years has it really seemed possible. As major websites take strides towards data-fying their content, now’s the perfect time to jump on the bandwagon.
For hundreds of years, we have been using white space in typography. Today, in 2020, how do we add spacing to punctuation marks and other symbols, and how do we adjust the space on the left and right side in an easy and consistent way? It is actually not as easy and quick as it should be.