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Spanning genres and continents, Jean Menzies shares some of her favourite books about time travel, from tales of redemption to murder mysteries.
The artists have responded to the pandemic with comic, haunting works showing themselves being buffeted around a chaotic London. They talk about lines of coffins, illegal raves and ‘shameful’ statue-toppling.
The American 19th century entrepreneur Thomas Edison is perhaps most famous for his development of the incandescent light bulb, but few people likely know that part of his inspiration came from an obscure fellow inventor in Connecticut named William Wallace. Edison visited Wallace’s workshop on September 8, 1878, to check out the latter’s prototype “arc light” system. Edison was impressed, but he thought he could improve on the system, which used a steam-powered dynamo to produce an incredibly bright light—much too bright for household use, more akin to outdoor floodlights. The result was the gentle glow of the incandescent bulb.
Contemporary craft fair Collect was founded by the British Crafts Council in 2004 as a pioneering fair for collectible craft, presenting recent work by living craftsmen, artists and designers (with some pieces created especially for the fair). The latest edition, previewed digitally in collaboration with the global online art platform Artsy, offers a glimpse into the diversity and eclectic richness of today’s craft panorama.
‘Collect has introduced and represented the very best global galleries for contemporary craft to design buyers and collectors for 17 years. Creating opportunity in the disruption of this past year has been so important, ensuring we maintain visibility for this global moment for craft in the cultural calendar. This online version of the fair will provide rich content as well as helping collectors to discover, view and purchase exceptional work from highly talented international artists,’ said the fair director, Isobel Dennis.
Swollen, glistening, and saturated with illusion, the ubiquitous water drop absorbed Kim Tschang-Yeul throughout his career. The Korean artist, who died earlier this year, was faithful to the seemingly mundane subject matter, choosing to depict the dewy orbs repeatedly after an initial painting in 1972 following his relocation to France. Inspired originally by a water-soaked canvas in his studio, Kim nurtured the viscous element in his hyperrealistic paintings created across nearly five decades. In an essay about the artist’s unending commitment, Dr. Cleo Roberts writes:
It is a tendency that seems to unite many of Korea’s avant-garde who took from Art Informel in the early ‘60s, including Ha Chong-Hyun and Park Seo-Bo. In this generation of artists, there is a ritualistic devotion to a chosen form, process, and, at times, colour. One could venture that, in the context of living in a volatile country ravaged by war, the security of immersion in a singular mode was an empowering choice, and may have been a necessary psychological counterpoint.
Whether depicting a singular pendant-shaped drop or canvas strewn with perfectly round bulbs, each of the oil-based works exhibits a deft approach to shadow and texture. The bloated forms appear to bead on the surface and are imbued with a sense of impermanence: if disturbed by even a small movement, they look as if they could burst or run down the surface.
Telling font styles apart was one of the hardest things to do when I started working as a designer. Being self-taught, the only major difference I could see was that a font was either a serif or a sans-serif. But the more I explored, the more I realised how vast the universe of font styles actually is.
In the Shepherds Bush neighborhood of London, an unusual five-storey building is up for sale. And while AFP reports that it's just 5'6″ wide at its narrowest point, British realty company Winkworth, which is handling the sale, has rounded it up in the description. “…Despite its surface oddness [the building]
A new installation by artist Chila Kumari Singh Burman masks the stately columns and ornate flourishes of Tate Britain’s facade, enveloping the London museum in a blanket of neon. In “Remembering a Brave New World,” technicolor symbols, pop culture references, and religious iconography transform the