Coolhunting

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Sold out within hours, CAKE’s new, limited edition electric motorbike—made in collaboration with London’s Buster + Punch—launched today and looks like it rode in from the future. The £18,000 vehicl…

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Wallpaper*

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‘LUX’, an LG-sponsored new media art exhibition at 180 The Strand, brings together 12 artists and collectives at the cutting edge of audio-visual technology

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faroutmagazine

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Including filmmakers like Jean-Luc Godard, Federico Fellini and Terry Gilliam, these are 10 essential Maximalist films that you need to watch.

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It's Nice That

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This month we’re looking at sites which nail their mobile version, or which are mobile only!

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Design Boom

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'petit market' by nendo is an adjustable roadside vegetable stand that promotes the spread of cheap and fresh agricultural products.

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wptavern

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The Creative Commons search engine will soon be part of WordPress.org, as Automattic will begin sponsoring several members of the CC Search team to maintain it. The engine currently offers over 500 million images, audio, and videos, under Creative Commons licenses or the public domain, aggregating more than 45 different sources.

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blinkist

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Meet Blinkist, a Berlin-based, award-winning startup that improves millions of people’s lives on a daily basis.

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lithub

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She was born in Japan in 1949. After graduating high school, she moved to Tokyo, where she worked as a bar hostess. She appeared in a few “pink films”—an arty subgenre of sexploitation cinema—directed by Kōji Wakamatsu, among others, and posed for the erotic art photographer Nobuyoshi Araki before devoting herself to writing full time. In 1973, she married the free jazz saxophonist Kaoru Abe, with whom she had a daughter; Abe died of a drug overdose in 1978, one year after their divorce. She was extremely productive in the years after his death, writing short stories, novels, and essays. She took her own life in 1986 at the age of 36.

This is, by and large, the sum total of biographical information readily available to English-language readers on the subject of Izumi Suzuki, a pioneering writer of science fiction whose first collection of stories to appear in English, Terminal Boredom, is available now from Verso. Perhaps unsurprisingly, there is much more information available in English about the male artists with whom she lived and worked; her own life tends to be talked about in relation to theirs, when it is talked about at all. With the publication of Terminal Boredom, English-language readers will be able to discover Suzuki in her own right. So who was she, anyway, and what of the work she left behind?

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fastcompany

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To boldly sit where no one has sat before.

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Creative Applications

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Created by Artem Stepanchuk, ‘The Transcriptions of Space’ is an experimental application (PWA) developed using deep learning algorithms that demonstrates the ability of artificial intelligence to realize the inherent human creativity.

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The Guardian

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On the eve of series two of their lockdown-inspiration art club, the couple talk about hitting their 60s, therapy… and Grayson’s missing alter ego

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BBC

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For decades Antarctica hosted only the simplest huts as human shelters – but architecture in the coldest, driest, windiest continent is getting snazzier.

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99 designs

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Here are the recommended social media image sizes and dimensions in 2021 for Instagram, Facebook, TikTok, LinkedIn, Twitter, Pinterest and YouTube.

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