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Even in the world’s most modern metropoles, public toilets are often difficult to find. And once…
Brooklyn-based designer Charlie Baker wrangles unruly branches and twigs into large-scale sculptures and installations that highlight the natural curvature of his foraged materials. Whether cloaking a perfectly round sphere in wood or constructing a treetop nest built for people, he envisions discrete spaces, which are sometimes marked with hidden passageways and windows, that tame the gnarly, knotted wood and present it anew. “I like the sense of motion the curvy pieces create because, to me, it gives a sense that the artwork is living, growing,” he says.
A column of metallic type scales the former Zenger Transformer Substation in Prague, melding the historic venue with the visual identity of the new art institution housed in its space. Conceived by the Czech Republic-based Studio Najbrt, the uniquely positioned logo wraps vertically around the corn
Approach the delicate glass artworks by Rui Sasaki, and witness the unpredictable patterns of the weather through a subtle glow of blue light. The Japanese artist’s experiential body of work translates varying forecasts into speckled sculptures that radiate once encountered, an intimate process that Sasaki describes as a way to “visualize subtle sunshine, record today’s weather, and transfer it from here to there/from there to here.”
Next week, Magnum Photos (previously) is pulling more than 90 photographs from its archive for a print sale that pays tribute to chance moments and serendipity. The Unexpected launches March 22 with a range of compositions documenting more than seven decades worth of “under-explored issues, reportin
She was born in Japan in 1949. After graduating high school, she moved to Tokyo, where she worked as a bar hostess. She appeared in a few “pink films”—an arty subgenre of sexploitation cinema—directed by Kōji Wakamatsu, among others, and posed for the erotic art photographer Nobuyoshi Araki before devoting herself to writing full time. In 1973, she married the free jazz saxophonist Kaoru Abe, with whom she had a daughter; Abe died of a drug overdose in 1978, one year after their divorce. She was extremely productive in the years after his death, writing short stories, novels, and essays. She took her own life in 1986 at the age of 36.
This is, by and large, the sum total of biographical information readily available to English-language readers on the subject of Izumi Suzuki, a pioneering writer of science fiction whose first collection of stories to appear in English, Terminal Boredom, is available now from Verso. Perhaps unsurprisingly, there is much more information available in English about the male artists with whom she lived and worked; her own life tends to be talked about in relation to theirs, when it is talked about at all. With the publication of Terminal Boredom, English-language readers will be able to discover Suzuki in her own right. So who was she, anyway, and what of the work she left behind?
Scan the World might be one of the only institutions where visitors are encouraged to handle the most-valued sculptures and artifacts from art history. The open-source museum hosts an impressive archive of 18,000 digital scans—the eclectic collection spans artworks like the “Bust of Nefertiti,” the “Fourth Gate of Vaubam Fortress,” Rodin’s “The Thinker,” and Michelangelo’s “David” in addition to other items like chimpanzee skulls—that are available for download and 3D printing in a matter of hours.
Searchable by collection, artist, and location, Scan the World recently teamed up with Google Arts and Culture, which partners with more than 2,000 institutions, to add thousands of additional pieces to the platform. Each page shares information about an artifact’s history and location, in addition to technical details like dimensions, complexity, and time to print—scroll down on to view images of finished pieces uploaded by the community, too. While much of the collection focuses on Western art, it’s currently bolstering two sections that explore works from India and China.
Multi-hyphenate writer Maria Dahvana Headley’s latest work is a translation of the 1,000+ year old monster classic Beowulf. Long a fan of Grendel and his mother, she wrote The Mere Wife in 2018, a precursor of sorts to her new translation of the original story, which uses modern day slang (including the word “bro”) to make the work more accessible.
Literary magazine Grand Journal is celebrating this work with an epic 25 day reading, featuring a who’s who of literary loving artists, each of whom will share part of the story in Zoom-captured readings. On the last day, 25 December, all of the videos will be presented in a single stream.
Last year, researchers released records from nearly two years of analysis of Johannes Vermeer’s most-recognized artwork, “Girl With a Pearl Earring.” While their findings didn’t include the subject’s highly sought-after identity, they did reveal that the gray backdrop is actually a dark green curtain and that the figure has eyelashes only visible with magnification. Thanks to Emilien Leonhardt and Vincent Sabatier, of Hirox Europe, we all can study the intricacies of Vermeer’s elusive work and peer directly into the paint cracks with an interactive 10-billion pixel panorama.
The duo began the undertaking to determine the surface condition of the iconic piece after multiple restorations, measure the space between the fractured pigments, and elucidate the artist’s technique. Using a custom microscope, Leonhardt and Sabatier took 9,100 photographs of the painting that were then woven together into the massive panorama. It reveals particulars down to 4.4-microns per pixel.
Photographer Cristina Coral has an eye for subtle alterations that transform seemingly ordinary scenes into surreal images brimming with illusion. Often centered on a solitary woman, the conceptual photographs rely on texture, pattern, and the figures’ contorted poses. A limp hand protrudes from a bush, strawberry locks drape over a brocade couch, and a teacup precariously balances on a pair of feet.
Coral, who is based in Italy but frequently travels to Germany and Slovenia, currently is working on a project based on memory and what’s forgotten. The mixed-media works, some of which she’s shared on Instagram, fuse photographs and textiles in a way that allows portions of the original image to peek through.
Using the Brico System for letterpress printing requires thinking of every possible combination from A to Z. The simple method involves just four shapes to create typographic forms and geometric renderings, and it founded a recent collaboration between artist and printmaker Anthony Burrill, designer and printer Thomas Mayo, and Oli Bently, who helms the Leeds-based studio Split and the People Powered Press, a non-profit printer that’s the largest letterpress operation of its kind in the world.
Together, the trio created one monochromatic print of every letter, which span 1.5 meters. “With near endless possibilities of letter forms, weights, sizes, and styles, it was created so that anyone can share in the joy of type design,” they say.
It's easy to forget that the mounds of snow lining sidewalks each winter actually are comprised of billions of tiny crystals with individual grooves and feathered offshoots. A trio of photographs taken by Nathan Myhrvold, though, serves as a stunning reminder of that fact as they expose the intricac