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Sold out within hours, CAKE’s new, limited edition electric motorbike—made in collaboration with London’s Buster + Punch—launched today and looks like it rode in from the future. The £18,000 vehicl…
With admirable restraint Braun and Virgil Abloh have gone to the archive and updated one of the brand’s most sculptural designs, the sleek, horizontal 1965 Wandanlage Hi-Fi wall unit. The original’s powder white coated metal is replaced with polished chrome; while that may have been too much in 1965, it’s well suited to 2021. The chrome references both the brands frequent use of the material and Abloh’s “cultural and musical references of the last 100 years.”
Using the Brico System for letterpress printing requires thinking of every possible combination from A to Z. The simple method involves just four shapes to create typographic forms and geometric renderings, and it founded a recent collaboration between artist and printmaker Anthony Burrill, designer and printer Thomas Mayo, and Oli Bently, who helms the Leeds-based studio Split and the People Powered Press, a non-profit printer that’s the largest letterpress operation of its kind in the world.
Together, the trio created one monochromatic print of every letter, which span 1.5 meters. “With near endless possibilities of letter forms, weights, sizes, and styles, it was created so that anyone can share in the joy of type design,” they say.
In 2010, when scientists were preparing to smash the first particles together within the Large Hadron Collider (LHC), sections of the media fantasized that the EU-wide experiment might create a black hole that could swallow and destroy our planet. How on Earth, columnists fumed, could scientists justify such a dangerous indulgence in the pursuit of abstract, theoretical knowledge?
But particle accelerators are much more than enormous toys for scientists to play with. They have practical uses too, though their sheer size has, so far, prevented their widespread use. Now, as part of large-scale European collaboration, my team has published a report that explains in detail how a far smaller particle accelerator could be built – closer to the size of a large room, rather than a large city.
With public art collections closed we are bringing the art to you, exploring highlights and hidden gems from across the country in partnership with Art UK. Today’s pick: Guildford’s De Morgan Collection’s Lux in Tenebris.
Contemporary craft fair Collect was founded by the British Crafts Council in 2004 as a pioneering fair for collectible craft, presenting recent work by living craftsmen, artists and designers (with some pieces created especially for the fair). The latest edition, previewed digitally in collaboration with the global online art platform Artsy, offers a glimpse into the diversity and eclectic richness of today’s craft panorama.
‘Collect has introduced and represented the very best global galleries for contemporary craft to design buyers and collectors for 17 years. Creating opportunity in the disruption of this past year has been so important, ensuring we maintain visibility for this global moment for craft in the cultural calendar. This online version of the fair will provide rich content as well as helping collectors to discover, view and purchase exceptional work from highly talented international artists,’ said the fair director, Isobel Dennis.
The founders of Belgium's Studio Plastique explain how their research-based projects and material investigations aim to position design as “a tool for a world that is in transition” in this interview as part of our VDF x Alcova collaboration.