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Famous for his off-kilter drawings, the artist is now appealing for used tennis balls, building useless clocks – and pulping The Da Vinci Code. He tells us why

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Creative giants from Hirst to Hambling have produced masterpieces a few centimetres across for a scaled-down show

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From A1 road trips to the abandoned north, these images from the Martin Parr Foundation tell a story of the nation … and photography itself

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While enjoying an idyllic lockdown in France, the 83-year-old artist has created perhaps his most important exhibition ever – offering hope to an injured world

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A new biography of the painter Isabel Rawsthorne highlights how talented women have often missed out on the recognition they deserved

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On the eve of series two of their lockdown-inspiration art club, the couple talk about hitting their 60s, therapy… and Grayson’s missing alter ego

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The artists have responded to the pandemic with comic, haunting works showing themselves being buffeted around a chaotic London. They talk about lines of coffins, illegal raves and ‘shameful’ statue-toppling.

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On 26 October 1969, the Observer Magazine attempted to get to grips with the burgeoning computer revolution (‘Computer Takeover’).

‘What then is a computer?’ asked John Davy. ‘It has been well described as an obedient, very moronic clerk with an exceptionally good memory.’ Well, we’ve all met one of those

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An academic tells us that we will need the warmth and familiarity of reality TV to set us right post-virus. What we really need is Grayson Perry. His talent is not just good art, but the ability on his TV show, Grayson’s Art Club, to disable the “histrionic TV personality” genes of celebrity guests and make them be natural, as well as arty. Grayson and his wife, Philippa, bring warmth and inspiration. More will be needed after coronavirus.

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With public art collections closed we are bringing the art to you, exploring highlights and hidden gems from across the country in partnership with Art UK. Today’s pick: Guildford’s De Morgan Collection’s Lux in Tenebris.

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Dreams of reinventing the workplace gave us cubicles and hotdesking as utopian ideas gave way to cost-cutting, says academic Kerstin Sailer

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In its magazine format it lasted 37 years, criticising architecture and design with true energy. Now it is online only

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The artists stood down as academicians after the gallery said it would not be hosting the show they had planned

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With London’s Victoria & Albert Museum in lockdown, its director shares his favourite artefacts

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