It's Nice That

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Los Angeles-based painter Nick McPhail creates illustrative, layered paintings that feature landscapes and architectural elements, using a colour palette of cool pastel and bright neon tones in combination with Renaissance layering techniques.

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It's Nice That

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Alex Dujet, co-founder of Futur Neue talks us through the inspiration and process behind his new font.

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Swiss designer and teacher Alice Franchetti talks to us about her clean, precise portfolio of well-researched projects.

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The telecoms giant keep things restrained with this new identity courtesy of London-based studio Red&White.

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The South Korean illustrator talks us through her latest publication, exploring the unnoticed movements in quiet landscapes.

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The bridge forms part Leckey's huge new show, O’ Magic Power of Bleakness, which opens at Tate Britain in October 2019.

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invisionapp

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Here are some approaches to the choosing color schemes that should up your design game and make it easier to generate a color palette that’s pleasing to the eye.

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Design Boom

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the bold text in 'the whole truth' alternates between italian and english writings touching on identity, gender and the migrant crisis.

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For a few weeks now, the It’s Nice That studio – and we’re sure the studios of others involved in the worlds of publishing, design, fashion, or anything creative really – has been abuzz with the news that _The Face_, the iconic British style magazine that redefined youth culture, is coming back. Today, the creative team behind the relaunch has been announced.

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26,000 people have been surveyed by paper giant G.F Smith to work out exactly how we attach specific emotions to specific colours.

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The British Nigeran artist's massive book-based exploration of identity is now open to the public at the UK's most-visited museum.

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Monotype's type director and lead designer on the new Helvetica Now discusses the design process behind the new typeface and sheds light on the cultural phenomenon that is Helvetica.

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Photographer Marco Arguello travels to Gujo Hachiman in Japan to document the “artisanal craft” of designing and making fake food.

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You can’t have failed to notice that Brexit hasn’t gone as smoothly as many of us would have liked. Back in June 2016 – when the world was young and it felt like we had our entire lives ahead of us – leavers and remainers alike hoped the situation would resolve itself quickly, effectively, and amicably.

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Paris-based designer Mathilde Gaussen celebrates those who changed the face of criminology with new investigative methods.

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Director and graphic artist Nicolas Ménard has done it again. And this time it comes in the form of a one-minute stop-motion animation, shot entirely in-camera featuring hundreds of miniatures for Mexican beer brand Corona. Arguably one of Mexico’s most recognisable brands, the film is narrated by Gael García Bernal and shows how Corona is intertwined in Mexico’s history.

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