Content from original post
100 years since the famed art and design school opened, we explore the Bauhaus’ enduring impact with Pentagram partner Sascha Lobe.
For a few weeks now, the It’s Nice That studio – and we’re sure the studios of others involved in the worlds of publishing, design, fashion, or anything creative really – has been abuzz with the news that _The Face_, the iconic British style magazine that redefined youth culture, is coming back. Today, the creative team behind the relaunch has been announced.
You can’t have failed to notice that Brexit hasn’t gone as smoothly as many of us would have liked. Back in June 2016 – when the world was young and it felt like we had our entire lives ahead of us – leavers and remainers alike hoped the situation would resolve itself quickly, effectively, and amicably.
Director and graphic artist Nicolas Ménard has done it again. And this time it comes in the form of a one-minute stop-motion animation, shot entirely in-camera featuring hundreds of miniatures for Mexican beer brand Corona. Arguably one of Mexico’s most recognisable brands, the film is narrated by Gael García Bernal and shows how Corona is intertwined in Mexico’s history.
Swiss art direction and graphic design studio Neo Neo, made up of Thuy-An Hoang and Xavier Erni, has recently updated its website and with it, the pair reveals several new projects displaying their systematically precise approach to graphic design.
Collletttivo is self-described by its members as “something we haven’t yet been able to define.” A type foundry built on an open source philosophy — where designs can be modified online by others — the collective is “an aggregation of people doing a variety of things that revolve around typography.” Established in 2017, Collletttivo started as an online type portfolio where its early members could share their design experiments. Since then, the group has condensed into a smaller but more active collective of seven Milan-based creatives working on projects, workshops and talks, not to mention several other designers who have released their typefaces on the website which are available to download for free!
From 2013-2018, Erik Brandt exhibited the work of well-known and up and coming designers on a piece of cedar board attached, by himself, to the side of his garage in Minneapolis, Minnesota. The self-initiated exhibition space, titled “_Ficciones Typografika_”:https://www.itsnicethat.com/articles/ficciones-typografika-behind-the-scenes, began as an invite-only project before being opened to submissions and rapidly grew into a “who’s who” of experimental typographic practice within the global design community.
Even the most ardent and hardened of southerners has to admit that Manchester is one of the UK’s great cities. Blessed with an amazing cathedral, an abundance of brilliant pubs and an immense cultural history, we’re always looking for an excuse to hop on the Pendolino from Euston on a Friday evening. Now we have another one.
When most of us think of family photography, we think of images imbued with nostalgic memories of warm childhood houses and an age of innocence. Photographer Charles-Henry Bédué uses this concept as a starting point for his ongoing series _The House of Happiness_, but instead of capturing the happy connotations of domestic life, he photographs the darker, somewhat disturbing corners of the family home.
While in town for a shoot for Shanghai Photofairs this past summer, photographer Florian Mueller would wander through the city's streets, meeting the owners of food stalls and other businesses that stayed open into the night. The series, Nightshift, observes the inviting glow that emanates from Shan
“Yishu Wangâs”:https://www.instagram.com/yishuwang/ photography is bound to make you stop, look, look again and finally admit that you have no clue whatâs going on. From overview shots of hundreds of uniformed men dressed in red suits to Orwellian CCTV structures, Yishuâs portfolio is wonderfully disorientating. Based in Wuzhen, a scenic town near Shanghai, Yishu has worked as a top photojournalist in Chinese media for the past 15 years. His job has offered Yishu endless opportunities to travel extensively across China from large metropolises to remote villages, documenting what he sees as he goes. âMany viewers have told me that my photography is similar to literature in that the images seem to have plots. But when I was taking the photos, I wasnât thinking about narratives. I was just relaxed and receptive to any scenario that came my way,â Yishu tells Itâs Nice That.