It's Nice That

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You can’t have failed to notice that Brexit hasn’t gone as smoothly as many of us would have liked. Back in June 2016 – when the world was young and it felt like we had our entire lives ahead of us – leavers and remainers alike hoped the situation would resolve itself quickly, effectively, and amicably.

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The Guardian

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In two years’ time, the Lower East Side will be home to the world’s first underground ‘green’ space – the Lowline

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It's Nice That

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Director and graphic artist Nicolas Ménard has done it again. And this time it comes in the form of a one-minute stop-motion animation, shot entirely in-camera featuring hundreds of miniatures for Mexican beer brand Corona. Arguably one of Mexico’s most recognisable brands, the film is narrated by Gael García Bernal and shows how Corona is intertwined in Mexico’s history.

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It's Nice That

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Swiss art direction and graphic design studio Neo Neo, made up of Thuy-An Hoang and Xavier Erni, has recently updated its website and with it, the pair reveals several new projects displaying their systematically precise approach to graphic design.

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It's Nice That

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Collletttivo is self-described by its members as “something we haven’t yet been able to define.” A type foundry built on an open source philosophy — where designs can be modified online by others — the collective is “an aggregation of people doing a variety of things that revolve around typography.” Established in 2017, Collletttivo started as an online type portfolio where its early members could share their design experiments. Since then, the group has condensed into a smaller but more active collective of seven Milan-based creatives working on projects, workshops and talks, not to mention several other designers who have released their typefaces on the website which are available to download for free!

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Design Curial

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Retail has had three phases, according to Katelijn Quartier, who heads the Retail Design Laboratory at Hasselt University in Belgium. ‘In Retail 1.0, the manufacturer was in charge and no designer was needed. Retail 2.0 was a phase where the retailer was in charge but hired an architect or interior architect to design the store following the brand’s or retailer’s ideas,’ she wrote in Retail Design, Theoretical Perspectives (Routledge). We have entered ‘Retail 3.0, a time when the customer is more and more in charge… This asks for much more from a designer than to translate a retailer’s identity into a store design and goes beyond mere functionality and efficiency – even more so now that a commodification of products, brands and retail is occurring’.

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Design Boom

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a video of a giant amazon blimp made the rounds on twitter this week showing what one user described as a 'borderline dystopian' image of the future.

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Design Boom

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tottenham hotspur's new stadium is finally ready to host its first competitive game — and fans are already sure that the arena is well worth the wait.

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invisionapp

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Web and app designers, it's time to meet PWAs, or progressive web apps: where your jobs combine.

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Wired

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In Nihonbashi, a business district of Tokyo named for an old, beautiful bridge that has been obscured by an expressway, it is very difficult for a foreigner to get cash. When I was in Tokyo last week to give a talk, the first two ATM machines I tried refused to cooperate with my American debit cards. The third one worked, giving me large, beautifully designed ¥10,000 bills featuring a dot portrait of a somewhat glum Yukichi Fukuzawa, scholar and founder of Keio University.
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Wired

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The Future Book was meant to be interactive, moving, alive. Its pages were supposed to be lush with whirling doodads, responsive, hands-on. The old paperback Zork choose-your-own-adventures were just the start. The Future Book would change depending on where you were, how you were feeling. It would incorporate your very environment into its story—the name of the coffee shop you were sitting at, your best friend’s birthday. It would be sly, maybe a little creepy. Definitely programmable. Ulysses would extend indefinitely in any direction you wanted to explore; just tap and some unique, mega-mind-blowing sui generis path of Joycean machine-learned words would wend itself out before your very eyes.
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Design Boom

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designboom was recently invited to the ‘seats of power’ exhibition at VITRA design museum. currently on show in the schaudepot building, the display showcases a history of chairs and highlights the relationship between seating and expressions of authority. from mies van der rohe’s ‘barcelona chair’ to a ‘papal throne’ constructed for pope john paul II’s 1994 visit to zagreb, the chairs will be exhibited at the campus until february 17th 2019.
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fastcompany

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There’s not much that hasn’t already been said of 3D printing or the predicted revolution that promised to transform manufacturing and put a MakerBot in every home. While the technology continues to evolve, with new applications like cutting-edge medical uses and building-size structures, it has yet to truly overtake industrial production in the mainstream market–though not for lack of effort.
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Gizmodo

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There’s just something about this phone. From the moment I laid eyes on this thing, it just kind of made me happy. It’s small and adorable like a newborn puppy, and despite how petite it appears it photos, it looks and feels even smaller in person. And I’m not the only one that had this reaction. When I brought it into the office, people crowded around marveled. One person cooed at it, another said, “it’s perfect,” while a third remarked that this is the exact sort of thing they’d wished someone would make for years.

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Campaign Live

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A basement bursting with music and dining experiences, a candy-pink faux launderette, a Vogue photo shoot, intriguing installations and Instagram-friendly moments at every point, not to mention a slide in place of an escalator: welcome to the "Curiosity Rooms", where Google has chosen to promote its latest smartphone Pixel 3.
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