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Heavy III, featuring names such as Gregory Halpern, carries on the publication's conversations between beautiful photography and engaging writing from environmental destruction to feminity.
For a few weeks now, the It’s Nice That studio – and we’re sure the studios of others involved in the worlds of publishing, design, fashion, or anything creative really – has been abuzz with the news that _The Face_, the iconic British style magazine that redefined youth culture, is coming back. Today, the creative team behind the relaunch has been announced.
From 2013-2018, Erik Brandt exhibited the work of well-known and up and coming designers on a piece of cedar board attached, by himself, to the side of his garage in Minneapolis, Minnesota. The self-initiated exhibition space, titled “_Ficciones Typografika_”:https://www.itsnicethat.com/articles/ficciones-typografika-behind-the-scenes, began as an invite-only project before being opened to submissions and rapidly grew into a “who’s who” of experimental typographic practice within the global design community.
Even the most ardent and hardened of southerners has to admit that Manchester is one of the UK’s great cities. Blessed with an amazing cathedral, an abundance of brilliant pubs and an immense cultural history, we’re always looking for an excuse to hop on the Pendolino from Euston on a Friday evening. Now we have another one.
When most of us think of family photography, we think of images imbued with nostalgic memories of warm childhood houses and an age of innocence. Photographer Charles-Henry Bédué uses this concept as a starting point for his ongoing series _The House of Happiness_, but instead of capturing the happy connotations of domestic life, he photographs the darker, somewhat disturbing corners of the family home.
When traveling, it is a given that I will visit at least one museum dedicated to art. Most often it is someplace new—either an institution that has previously escaped my radar, or one that belongs to a city I have not yet explored. Although I enjoy viewing institutional collections, I am perhaps mos