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Designers have more digital design tools than ever before. Yet some key problems remain.
It’s 1958. A group of six modern British artists — students of the RCA and the Slade — are all living together in a large rambling Manor House in the Hertfordshire countryside. They had space to paint, but no heating. Visitors would drive the hour from…
You can’t have failed to notice that Brexit hasn’t gone as smoothly as many of us would have liked. Back in June 2016 – when the world was young and it felt like we had our entire lives ahead of us – leavers and remainers alike hoped the situation would resolve itself quickly, effectively, and amicably.
Director and graphic artist Nicolas Ménard has done it again. And this time it comes in the form of a one-minute stop-motion animation, shot entirely in-camera featuring hundreds of miniatures for Mexican beer brand Corona. Arguably one of Mexico’s most recognisable brands, the film is narrated by Gael García Bernal and shows how Corona is intertwined in Mexico’s history.
Swiss art direction and graphic design studio Neo Neo, made up of Thuy-An Hoang and Xavier Erni, has recently updated its website and with it, the pair reveals several new projects displaying their systematically precise approach to graphic design.
Collletttivo is self-described by its members as “something we haven’t yet been able to define.” A type foundry built on an open source philosophy — where designs can be modified online by others — the collective is “an aggregation of people doing a variety of things that revolve around typography.” Established in 2017, Collletttivo started as an online type portfolio where its early members could share their design experiments. Since then, the group has condensed into a smaller but more active collective of seven Milan-based creatives working on projects, workshops and talks, not to mention several other designers who have released their typefaces on the website which are available to download for free!
Google’s cloud-based tools provide a lot of bang for the buck. Apps like Docs, Sheets, and Slides are a collaborative dreamscape, the types of applications that allow kids to split into groups and iterate a project until completion. They also make a good instant messaging platform, according to some teens. “We don’t really pass physical …
Mies In London is a project by Real Foundation that seeks to document modernist architect Mies van der Rohe’s only design for the United Kingdom, Mansion House Square; a bronze tower and grand plaza located at the heart of London opposite the bank of England and commissioned in 1962 by Lord Peter Palumbo. Following a long struggle with Royal and political concerns, as well as an increasing disfavour for modernism within the public consciousness, the project was halted by an inquiry in 1984 with many of the details and artefacts lost to time.
El Pintor is a high-quality tequila and mezcal brand said to have been handcrafted by the world’s second certified maestro tequilero. El Pinto’s approach intends to create perfectly equilibrated spirits through the intersection of science and artistry. This artistry forms the basis of El Pinto’s graphic identity and packaging design developed by Anagrama. This is characterised by colour blocking, tapered bottle, distinctive screw cap and irregular label arrangement.
Clydeside Distillery was set up in 2014 with the intention of reviving distilling in Glasgow and telling the story of Scottish Whisky through a visitor’s centre. The distillery was set up by the Morrison’s, a family with a century-long history within the Scottish Whisky industry as both owners and operators.
Goldsmiths’ biannual alumni magazine Goldlink has been redesigned by Spy, the design studio behind the university’s graphic identity. The magazine is distributed to over 50,000 former students and staff nationally and internationally, and in the redesign, needed to strengthen the relationship with its readership and reflect Goldsmiths’ position as a creative force with a rich research and academic legacy. Spy’s approach develops and employs the bold graphic language of the university, built around Commercial Type’s Druk and a preference for eye-catching blocks of colour set alongside or filtered into emotive images.