The Next Web

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While we all know that billionaires control a substantial amount of the world’s wealth – in fact, current projections see the richest 1% controlling 2/3 of it by 2030 – what they use their vast fortunes on may surprise you.

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This is Colossal

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In anticipation of Tomorrowland’s 15th anniversary, the Belgium-based festival commissioned Danish artist Thomas Dambo (previously) to build seven of his world-renowned trolls throughout the De Schoore area in Boom. Like his previous installations in Copenhagen, South Korea, and northern Illin

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Flowing Data

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For The New York Times, Kevin Litman-Navarro plotted the length and readability of privacy policies for large companies: To see exactly how inscrutable they have become, I analyzed the length and r…

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The Guardian

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Government research suggests British tech ‘unicorns’ are only surpassed by US and China

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The Guardian

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The Turner prize nominee on socially engaged art and why his family is part of his new Art Night show

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fastcompany

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What makes people happy? Other people’s unhappiness.

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Smashing Magazine

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In this final article of the series, we’ll look into notifications UX and permission requests, and how we can design the experience around them better, with the user’s privacy in mind.

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Striking aerial landscapes by Gabor Nagy, a multi-talented photographer, and artist currently based in Budapest, Hungary. Gabor focuses mainly on landscape and outdoor photography. He’s a Sony Alpha Ambassador.

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This is Colossal

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Italian artist Alberonero uses carefully calculated fields of color to form prismatic murals on walls around the world. The artist places subtly shifting tones side by side, which creates a sense of movement as warm-hued chevrons push into cool blues and greens, and square blocks of color seem to tu

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Wired

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Snap+Share, a new exhibit at the San Francisco Museum of Modern Art, explores the evolution of sharing images, from postcards to Ceiling Cat.

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The Next Web

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Facebook — the equivalent of cigarettes for your mental health — turned 15 today. We were going to sing “Happy Birthday,” but couldn’t afford the rights to the song because we’re paying off our kids’ debts. Instead, let’s take another trip in the Wayback Machine to see how things have changed at Facebook.com over the years.

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Mashable Magazine

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Lake Elsinore can't handle the barrage of Instagram-loving tourists coming to photograph the poppy fields that have sprouted during the Super Bloom.

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Wired

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The Future Book was meant to be interactive, moving, alive. Its pages were supposed to be lush with whirling doodads, responsive, hands-on. The old paperback Zork choose-your-own-adventures were just the start. The Future Book would change depending on where you were, how you were feeling. It would incorporate your very environment into its story—the name of the coffee shop you were sitting at, your best friend’s birthday. It would be sly, maybe a little creepy. Definitely programmable. Ulysses would extend indefinitely in any direction you wanted to explore; just tap and some unique, mega-mind-blowing sui generis path of Joycean machine-learned words would wend itself out before your very eyes.
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Google

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The latest addition to Netflix' roster of shows comes from the Minecraft franchise, along with a twist: you can actually choose your own ending.

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