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Alex Dujet, co-founder of Futur Neue talks us through the inspiration and process behind his new font.
The grand plazas, towering monuments, and majestic architecture of Russian cities are seen from a new perspective in warped photographs by Lestnica. The Vladimir-based production studio, which was founded by Artem Prudentov, creates still and moving images for clients. For this project, which Pruden
Bill Bowerman, Nike co-founder and former University of Oregon and US Olympics track and field coach, was obsessed with finding the perfect running shoe for his athletes. He adopted the role of a mad shoe scientist in the mid 1960s, when co-founder and…
Colour is creeping over our cities, thanks both to an explosion in street art but also designers and architects’ subsequent confidence in splashing rainbow-hued graphic treatments over their walls. But the line between street art, fine art and architecture is increasingly blurring as artists are invited to weave their own distinctive works into the fabric of buildings.
For a few weeks now, the It’s Nice That studio – and we’re sure the studios of others involved in the worlds of publishing, design, fashion, or anything creative really – has been abuzz with the news that _The Face_, the iconic British style magazine that redefined youth culture, is coming back. Today, the creative team behind the relaunch has been announced.
Collletttivo is self-described by its members as “something we haven’t yet been able to define.” A type foundry built on an open source philosophy — where designs can be modified online by others — the collective is “an aggregation of people doing a variety of things that revolve around typography.” Established in 2017, Collletttivo started as an online type portfolio where its early members could share their design experiments. Since then, the group has condensed into a smaller but more active collective of seven Milan-based creatives working on projects, workshops and talks, not to mention several other designers who have released their typefaces on the website which are available to download for free!
From 2013-2018, Erik Brandt exhibited the work of well-known and up and coming designers on a piece of cedar board attached, by himself, to the side of his garage in Minneapolis, Minnesota. The self-initiated exhibition space, titled “_Ficciones Typografika_”:https://www.itsnicethat.com/articles/ficciones-typografika-behind-the-scenes, began as an invite-only project before being opened to submissions and rapidly grew into a “who’s who” of experimental typographic practice within the global design community.