Wired

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In everyday life, stillness is an illusion. Not so in this lab, where scientists rendered an object as motionless as the laws of physics permit.

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This is Colossal

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This week the Paris Musées added 100,000 digital copies of its artworks to the public domain, making them free and unrestricted for the public to download and use. From Claude Monet's “Setting Sun on the Seine at Lavacourt” to Paul Cézanne's “Portrait of Ambroise Vollard,” the collection contains wo

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The Guardian

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From clothes lines to earthworms, and oranges to Elvis, Everyday Delight is an exhibition of images that look for the joy in the small things and discover the beauty in the unexpected

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This is Colossal

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Chicago-based designer Yuting Chang has conceived of a way to build the traditional blue and white pigments often found on porcelain into the very structure of her ceramics. Through slip casting, a process in which the artist can switch between colors within the mold, Chang is able to incorporate up

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Wired

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Sam Mendes’ war epic is presented as one continuous shot. Making the illusion work was no small feat.

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The Guardian

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When film-makers need a detailed artefact, they go to the in-demand Welsh creator, whose work is celebrated in a new book

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The Guardian

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At an expansive new exhibition in New York, the director’s defining science fiction opus is explored in detail with help from those who made it with him

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The Guardian

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Devastated by his time in Germany, which he regards as still Nazi, the artist has moved. As he unveils a powerful virtual reality artwork, he talks about needing a monster to fight – and why he’d like to be a barber

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Wired

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California's new privacy law has spurred a torrent of online notices. But the law is also forcing changes offline, in traditional stores.

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The Guardian

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Using the frontiers of technology to tell one of the most urgent stories of our time, Omni immerses you in a jungle full of lost elephants and a refugee camp in Bangladesh

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Wired

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The facial recognition startup claims it collected billions of photos from sites like Facebook and Twitter. What does the practice mean for the open web?

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