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Leading Dutch typographer and graphic designer who created the Gridnik and New Alphabet typefaces
Regardless of where you stand on the great Aperol Spritz debate of 2019, there are innumerable summery sippers worth swizzling as the weather warms. To highlight them, we've called out seven new NYC bars—from East Village gems to elegant uptown escapes—and selected one drink each from their menus. With the likes of No Bar, Devon,…
For a few weeks now, the It’s Nice That studio – and we’re sure the studios of others involved in the worlds of publishing, design, fashion, or anything creative really – has been abuzz with the news that _The Face_, the iconic British style magazine that redefined youth culture, is coming back. Today, the creative team behind the relaunch has been announced.
Director and graphic artist Nicolas Ménard has done it again. And this time it comes in the form of a one-minute stop-motion animation, shot entirely in-camera featuring hundreds of miniatures for Mexican beer brand Corona. Arguably one of Mexico’s most recognisable brands, the film is narrated by Gael García Bernal and shows how Corona is intertwined in Mexico’s history.
Collletttivo is self-described by its members as “something we haven’t yet been able to define.” A type foundry built on an open source philosophy — where designs can be modified online by others — the collective is “an aggregation of people doing a variety of things that revolve around typography.” Established in 2017, Collletttivo started as an online type portfolio where its early members could share their design experiments. Since then, the group has condensed into a smaller but more active collective of seven Milan-based creatives working on projects, workshops and talks, not to mention several other designers who have released their typefaces on the website which are available to download for free!
Google’s CEO, Sundar Pichai, delivers the keynote address at Google’s 2018 conference. The robotic assistant, Google Duplex, uses a very natural speech pattern that includes hesitations and affirmations such as ’er’ and ’mmm-hmm’ so that it is extremely difficult to distinguish from an actual human phone call