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Color is one of the most powerful tools in a designer’s toolkit. Color can draw attention, set a mood, and influence the user’s emotion, perception and actions. When it comes to the web and mobile app design, this is definitely a time of vibrant colors. Designers use vibrant colors to focus people’s attention on important elements and to make their designs memorable.
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Some things are either on or off and, when those things aren’t on (or off), they are invariably off (or on). The concept is so rudimentary that I’ve only complicated it by trying to explain it, yet on/off switches (or toggle buttons) are not all alike. Although their purpose is simple, their applications and forms vary greatly.
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If you've ever tried to implement a bulletproof, good-looking file uploader, you might have encountered an issue: uploading an entire folder or folders of files is usually quite a hassle, as files in each folder have to be selected manually. And then some folders might contain sub-folders as well.
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Words are the primary component of content for the web. However, until a short while ago, all we had at our disposal were but a few system fonts. Adding to that, those system typefaces weren’t necessarily coherent from operating system to operating system (OS).
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We love exploring opportunities. While many of us are quite familiar with publications and events surrounding us, we often lack the global perspective on what's happening in the web industry across the world. For example, do you know what the state of web design in Singapore is? What about front-end events in Kuala Lumpur? What about the acceptance of UX-driven processes in Hong Kong? That's exactly what we want to find out!
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User interface design has changed dramatically in the last few years, as traditional computers have ceded dominance to smaller screens, including tablets, mobile phones, smartwatches and more.
As the craft has evolved, so has its toolset; and from one app to rule them all ’€” looking at you, Photoshop! ’€” we have gotten to a point where it seems like a new contender among UI design tools crops up every month. And I have to admit that many of the new UI design tools look pretty good and promising.

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The author has spent 25 years among people from two professions — graphic design and semiology. Designers manipulate visual elements in order to prompt a response, and semioticians study how things are able to influence people. The books content is much broader than logos, and is heavily theoretical rather than practical, but there are some interesting points on the cultural associations attached to letterforms and symbology.

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If you’re stuck in a job you hate and have dreams of becoming a designer and working in a creative role that fills you with excitement daily, the road to entering this completely new industry can feel daunting.
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Design doesn’t scale as cleanly as engineering. It’s not enough that each element and page is consistent with each other — the much bigger challenge lies in keeping the sum of the parts intact, too. And accomplishing that with a lot of designers involved in the same project.
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The way people consume information is constantly evolving. As web designers and developers, we keep up with all of the different screen shapes and sizes, learning to create beautiful, flexible software. Yet most of the available tools still don’t reflect the nature and diversity of the platform we’re building for: the browser.
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Layout on the web has always been tricky, but with CSS Grid being now supported in all major browsers, most of the hacks that helped to achieve complex layouts have become obsolete. Firefox even has a CSS Grid Inspector built in, so that there’s nothing to hold you back from making even the most challenging flexible layout reality.
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We should always look for opportunities to grow and improve. Retrospectives and reflections allow you to codify what you’ve learned from experience, to document mistakes and avoid future ones, and to increase your potential to grow in the future.
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Recently, there has been a proliferation of virtual reality (VR) web browsers and VR capabilities added to traditional browsers. In this article, we’ll look at the state of browsers in VR and the state of VR on the web via the WebVR APIs.
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Since before agricultural civilization, humans have used plants for their special properties – to nourish and heal, to harm and to poison. The earliest written compilations of plants can be traced back to the second millennium BC, with early traditions in Egypt, Mesopotamia, China and India. In Greco-Roman antiquity, the Athenian, Theophrastus (c. 371 – c. 287 BC), a contemporary of Aristotle and Plato, is often considered the father of botany; his Historia Plantarum (‘Enquiry into Plants’) proving influential right through to the Italian Renaissance. Books dedicated to describing herbs and plants and their properties and uses are known as herbals. Such books proved popular with doctors and apothecaries throughout the entire Middle Ages.
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As you probably know, every culture has its own spoken language, and in many cases its own written language, too — a writing system it has developed to express and record its own beliefs, its own experiences, its understanding of the world. What the members of that culture have collectively written in that script is the record of their cultural identity: spiritual texts, historical documents, poems, deeds, letters between family members.
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Ian Cartlidge, co-founder of London-based studio Cartlidge Levene was awarded the Royal Designer for Industry distinction in 2013. There’s an interesting interview with him on designboom. Here’s an excerpt along with some of the studios identity work.

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