It's Nice That

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Heavy III, featuring names such as Gregory Halpern, carries on the publication's conversations between beautiful photography and engaging writing from environmental destruction to feminity.

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German photographer Bernhard Lang first became fascinated with aerial views while on travelling passenger planes. Now, taking photographs out of an open helicopter door is his main practice, offering a new perspective on the world below.

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Ahead of The Design Museum's exhibition of his work, we examine whether Stanley Kubrick's obsessive qualities were a help or hindrance to his career.

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Danish company Lego tops the Superbrands list for the second year running.

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For a few weeks now, the It’s Nice That studio – and we’re sure the studios of others involved in the worlds of publishing, design, fashion, or anything creative really – has been abuzz with the news that _The Face_, the iconic British style magazine that redefined youth culture, is coming back. Today, the creative team behind the relaunch has been announced.

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26,000 people have been surveyed by paper giant G.F Smith to work out exactly how we attach specific emotions to specific colours.

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The British Nigeran artist's massive book-based exploration of identity is now open to the public at the UK's most-visited museum.

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Monotype's type director and lead designer on the new Helvetica Now discusses the design process behind the new typeface and sheds light on the cultural phenomenon that is Helvetica.

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Photographer Marco Arguello travels to Gujo Hachiman in Japan to document the “artisanal craft” of designing and making fake food.

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You can’t have failed to notice that Brexit hasn’t gone as smoothly as many of us would have liked. Back in June 2016 – when the world was young and it felt like we had our entire lives ahead of us – leavers and remainers alike hoped the situation would resolve itself quickly, effectively, and amicably.

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Paris-based designer Mathilde Gaussen celebrates those who changed the face of criminology with new investigative methods.

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Director and graphic artist Nicolas Ménard has done it again. And this time it comes in the form of a one-minute stop-motion animation, shot entirely in-camera featuring hundreds of miniatures for Mexican beer brand Corona. Arguably one of Mexico’s most recognisable brands, the film is narrated by Gael García Bernal and shows how Corona is intertwined in Mexico’s history.

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Swiss art direction and graphic design studio Neo Neo, made up of Thuy-An Hoang and Xavier Erni, has recently updated its website and with it, the pair reveals several new projects displaying their systematically precise approach to graphic design.

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Collletttivo is self-described by its members as “something we haven’t yet been able to define.” A type foundry built on an open source philosophy — where designs can be modified online by others — the collective is “an aggregation of people doing a variety of things that revolve around typography.” Established in 2017, Collletttivo started as an online type portfolio where its early members could share their design experiments. Since then, the group has condensed into a smaller but more active collective of seven Milan-based creatives working on projects, workshops and talks, not to mention several other designers who have released their typefaces on the website which are available to download for free!

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The city of Venice has been blessed with its first ever permanent art quarter, thanks in part to London-based female art group October! Collective.

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From 2013-2018, Erik Brandt exhibited the work of well-known and up and coming designers on a piece of cedar board attached, by himself, to the side of his garage in Minneapolis, Minnesota. The self-initiated exhibition space, titled “_Ficciones Typografika_”:https://www.itsnicethat.com/articles/ficciones-typografika-behind-the-scenes, began as an invite-only project before being opened to submissions and rapidly grew into a “who’s who” of experimental typographic practice within the global design community.

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Even the most ardent and hardened of southerners has to admit that Manchester is one of the UK’s great cities. Blessed with an amazing cathedral, an abundance of brilliant pubs and an immense cultural history, we’re always looking for an excuse to hop on the Pendolino from Euston on a Friday evening. Now we have another one.

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When most of us think of family photography, we think of images imbued with nostalgic memories of warm childhood houses and an age of innocence. Photographer Charles-Henry Bédué uses this concept as a starting point for his ongoing series _The House of Happiness_, but instead of capturing the happy connotations of domestic life, he photographs the darker, somewhat disturbing corners of the family home.

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